
Steve McQueen would should have turned 80 today. I bet he’d still be whipping his XI around the corkscrew at the Monterey Historics every year.
Auction houses vigorously protect the privacy of their purchasers, but in this case Stirling Moss seems to have wanted to shout from the rooftops about his new car, and so authorized Gooding & Co to announce the proud new owner following their Amelia Island Auctions. One of only fourteen Porsche RS61 Spyders built, and the final evolution of the 50s and 60s Spyder family, this RS61 (chassis 718-070) is indeed a treasure. A treasure befitting the $1,705,000 bid that finally won the car. Whew.
The car has an interesting history, particularly for a machine that spent most of its life in the States. The car took class wins at SCCA National events at Daytona, Lime Rock, Maryland, Meadowdale, and Road America. A further class win at the 1960 Sebring with Bob Holbert and Roger Penske sharing the wheel sealed the deal on a remarkable history book for 718-070.
As to the car’s current condition, which looks absolutely stunning in the photos, perhaps the Gooding catalog for the event says it best:
On a recent test drive by Gooding & Company, this RS61 exhibited all the delightful qualities for which the late Porsche Spyders are renowned: nimble and responsive steering, effective brakes, a lively, free-revving engine and an almost telepathic level of feedback. The Ernst Fuhrmann-designed four-cam loves to climb up the rev-range and emits an unforgettable, staccato bark, made all the more raucous by the single, center-exit stinger exhaust.
Inside, the passengers are treated to a minimalist, business-like cockpit that is an ideal setting for fast, focused driving; yet with its spacious and inviting feel, full FIA windscreen, lightweight bucket seats (easily adjusted for different drivers), clear readable gauges and a comfortable driving position, it would be a reasonable long-distance event car.
Not only is the car a thrill to drive, once placed in the right hands, an RS61 is more than just a class contender – it is a car with the potential for outright victory in any grid of early 1960s sports racers. Yet despite all its on-track talent, an RS61 is capable of driving down the highway in relative comfort and with surprising ease.
Hey Gooding, how do I get that pre-auction test driver job?
The purchase took place just days after Stirling’s fall down his home elevator shaft. It looks like Moss is fully committed to recovering quickly from this broken ankles and returning to the track. Now he’ll just have to decide between this amazing machine and his equally lovely OSCA. Congratulations, Sir Stirling.
Via Classic Rallies.
Let’s take another look into the John McClure archives. This time from the March, 1955 running of the Palm Springs Road Races.
This race is particularly interesting for pop culture fans as James Dean brought home 2nd place in his Porsche Speedster for the under 1500cc class—this was mere months before purchasing the Spyder he would die in. Sadly, while there are a few very fleeting shots of Dean’s white Speedster here (bearing number 23 for this race), there isn’t a clear shot of the man behind the wheel.
The rather grisly rollover accident of Ray Sinatra’s Darrin, while terrifying to look at, left Ray with a dislocated shoulder.
Ultimately in the main event, Jack McAfee took top honors in his Ferrari 375 MM (#211) after a long battle with Bill Pollack in the Baldwin Special Mk II Mercury (#20).
I’m struck by the stark beauty of the Palm Springs desert venue. I’ve never been to the California desert, and it looks like I should definitely make a point of it.
You kids today and your paved racecourses. Mulsanne Straight… Hrmph.. Straights at all.. Hrmph. Bah. Just drive your Bugatti or Bentley through the woods. These guys are serious about using their cars as they were meant to used. After all, there weren’t a lot of paved roads when these cars were new.
Among the celebrations at this weekend’s Sebrings events is a particular anniversary for the race’s winningest factory. 2010 marks 50 years since Porsche’s first victory at Sebring, a feat they’ve matched 17 more times. To commemorate the milestone, Hans Herrmann jumped back in the old RS60 he co-piloted to victory at the Sebring airport circuit in 1960. Wanna ride shotgun? Me too.
via Automobiliart
I hope this photo doesn’t get anyone in trouble but I can’t help but share this shot from the 2008 Elkhart Lake Vintage Festival. Where else in the world can you stumble out of the bar at 1am and see a pre-war biplane engine-powered Frazer-Nash monoposto double parked in a handicapped spot?
I just love it.
Marc wrote in with another gorgeous model posing with a gorgeous model – this time a Lotus 47/Europa. Thanks Marc!
Have some more sports and racing cars at auto show displays to share? Send them along to tips@thechicane.com
Mouth watering. I can’t believe I didn’t somehow get it together to make it down there. A dizzying array of Bandinis and Stanguellinis and Siatas and OSCAs, and that doesn’t even mention the gaggle of Porsche 917s. Good gravy!
Head over to Etceterini for the complete set.
This Jeff Decker sculpture of a hillclimber in the throes of attempting control (and losing) graces the plaza of the Harley-Davidson Museum in Milwaukee. It is a mammoth bronze piece. At 150% scale, it is gigantic, weighing over 5,000 pounds and standing at 16 feet.
It is heroic; showing a rider that is dextrous, brave, and almost impossibly flexible. He struggles to control the machine that it uncontrollable; on a racing surface that is rough and unstable and constantly shifting. It’s a brilliant capture of an amazing, if inelegant, moment.
It’s the inelegance of it that I love about it. This is no proud victory posing with his laurels and receiving a kiss from the girl awarding a trophy; it isn’t a stoic lone biker rocketing across a desert highway; it is a competitor struggling to take his machine up the hill—and he is falling. Struggling to regain control, but almost certainly beyond the tipping point, the sculpture captures the instant before failure.
It is an unconventional moment to showcase, but one that I think exemplifies the spirit of competition and the determination of the competitor.
Shortly after the unveiling, there was criticism that this was a fanciful interpretation of the hillclimb. Many suggested that the events didn’t achieve this level of acrobatics or drama, and this was simply another artist’s flight of fancy in turning the mundane into the heroic. Several years have passed, and Jeff Decker recently showed some images on his blog that showcase that, if anything, his sculpture didn’t go far enough to capture the bravery of the early hillclimbers. Looking at these images, I’m inclined to believe him.
Head over to his blog to see the complete gallery.