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Ferrari Grand Prix

Reader Photos: Gary Mason’s 1957 Italian GP Paddock

Ferrari Paddock – Italian GP, 1957

I’m continuing to wade through the box of slides and prints that Gary Mason sent in chronicling his lifelong love of photographing sportscar and formula racing (particularly Maseratis). In addition to these gorgeous images of the paddocks of the 1957 Italian Grand Prix at Monza, there is a large pile of shots that a then teenaged Gary was able to capture from the race itself (they’re coming, I promise). These particular shots of the Ferrari and Maserati paddocks really jump out at me though and are worth sharing on their own.

Maserati Paddock – Italian GP, 1957

It’s been well covered here and elsewhere what a shame it is that spectators are all but barred from the paddocks of contemporary Formula 1. But it’s not just the level of access that strikes me about these photos. It isn’t just that Jean Behra’s Maserati 250F or Peter Collins Lancia Ferrari 801 is just sitting right there, a hair’s breadth away; begging you to casually extend a pinkie and touch it and prove to yourself that it’s real. What catches my eye is what surrounds these magnificent machines or, rather, what doesn’t. This isn’t just access to the paddock; it’s access to a nearly empty paddock. Empty of security to be sure, but also eerily empty of other spectators. Plenty of room to stand back and frame up a photo. Nearly impossible today even at club races.

Ferrari Paddock – Italian GP, 1957

Bonus Denis Jenkinson on the left there gathering notes and photos on the Ferraris for Motor Sport, no doubt. A nearly embarrassing charge of excitement leapt through me when this image slowly revealed itself line by line as the scanner worked its way through the slide: “Hey, that’s Jenks!”

Ferrari Paddock – Italian GP, 1957

As Gary pointed out in a comment on this similar photo taken a few years later, note the jump from garage 12 to garage 14. Can’t be too careful when you’re looking for luck on the track that day! No unlucky #13 garage for me, thank you.

This is just the tip of the iceberg. Track photos of the main event and support races for the ’57 Italian GP to come as soon as I can get the images properly indexed and identified.

See more of the Gary Mason Archive.

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Ferrari Grand Prix

Art Appreciation: Ferrari 500 Formula 2

Ferrari 500 F2

It’s not just because it’s beautiful. Which it is. It’s not just because of it’s relationship with Ascari. Which it has. For me, part of its allure is because of what it represents as a nod to a time when racing teams wouldn’t let themselves be pushed around.

When the Formula 1 rulebook got too restrictive, constructors embraced Formula 2 as a means to really showcase their engineering prowess. Every few years, this notion pops up again: that Formula 1 is holding constructors back and so begins the threatening and posturing that the series will be abandoned and that constructors will start their own series. Every single time, part of me hopes that they will. This Ferrari 500 proves that racing teams can do just that… and do it brilliantly.

Ferrari 500 F2
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Classic Sportscar Video

Berardo Taraschi Takes a Spin Around Brindisi

Maybe it’s not quite the same as watching Enzo race his own Ferrari, or Henry race his own Ford, or Ferdinand race his own Porsche, but there’s something romantic about this footage of Berardo Taraschi piloting a car of his own make through the streets of Brindisi. Berardo took the win for the event, running the 69km race through the seaside town on Italy’s heel in just over 40 minutes: a 102 km/hr average isn’t bad at all for a 750cc powered Giaur.

With so little information out on the web about the Brindisi race, it makes me all the sadder that I can’t understand more than a few words of the commentary the goes along with this video. But I think I hear mention of the legendary Anna Maria Peduzzi as a participant in the race as well. I can’t remember ever seeing any footage of her in the car before. Is she driving the ’52 Stanguellini we wrote about in 2010? What a treat!

As always, if it’s little, Italian, and beautiful, Cliff has you covered.

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Classic Sportscar Historic Racing Photos

Reader Photos: Gary Mason’s 1958 Mille Miglia

Fiat at the Mille Miglia, 1958

A few weeks ago I received my favorite kind of email. Gary wrote in saying these simply beautiful words: “I have found many photos I took from 1957 to around 1962. I am thinking about sending them to you.”

Gary, this is exactly the kind of thing that keeps me inspired to keep this site going. I’m sure you can imagine my excitement when a box of slides and photo prints arrived with races ranging from The Race of Two Worlds to the Mille Miglia to Stateside SCCA races. I had planned to wait until everything was scanned and catalogued to start posting them but I’m sure you’ll understand why I can’t wait for all that. This is just the first of many series of Gary’s photos. I can’t wait for you to see them.

I’m sure there are a few of you that are already puzzled by the title of this post—’58 Mille Miglia? What ’58 Mille Miglia? Sure, the dangers associated with high speed racing up and down the boot were already showing signs of disaster before Alfonso de Portago’s dramatic careening off a stretch of road between Cerlongo and Guidizzolo that killed him and his co-driver Edmund Nelson along with nine spectators. As a result, there would be no proper Mille after 1957. But race organizers (and Brescian businessmen, no doubt) cherished the event and the crowds it drew so as soon as 1958 the Mille was re-imagined as a regularity rally with occasional hillclimbs and speed events along the way. A then-teenaged Gary Mason was perched alongside the route, 35mm Kodak Retina in hand.

Thanks again, Gary. These are fantastic! As always, if this is reminding any of you of a box of forgotten photos in the closet, drop me a line.

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Historic Racing Photos

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Grand Prix Historic Racing Photos

A Nearly Private Grand Prix

Rudolf Caracciola at Coppa Ciano

When I see images like this one of Rudolf Caracciola in his Mercedes-Benz W154 at the 1938 Copa Ciano, I am both energized by it and saddened.

Imagine the cacophony reverberating off the buildings of this narrow alley in Livorno, Italy. Imagine the show that this handful of people are having as they peer out from entryways and lean out of windows along the Montenero Circuit. It’s almost an intimate moment captured between driver and spectator as Rudolf glances up from his racing line and makes eye contact with a racing fan poking his head out of a doorway.

It’s most noticeable in the restrictions on pit access, but these opportunities for racing driver and enthusiast to connect are just as lost during the race as before and after. The farther and farther we push fans from the action—for good reasons, as Daytona recently pointed out—the more isolated the driver is from the fan.

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Grand Prix Racing Drivers Video

Plump, Dapper, and Charming

I’m not entirely sure that Alberto Ascari would have loved Murray Walker’s introduction in this clip from Walker’s F1 Greats. Once the stats start rolling in I’m sure the mood would have lightened. Tremendous.

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Classic Sportscar Racing Ephemera

Factories at Work: Stanguellini

The Stanguellini Workshop

Expectations and reality have this way of clashing spectacularly. I always have a dream, a fantastic notion of what something might be like. Then I’ll discover that the actuality of it is far more simple; far more ordinary.

This, though, is one of the thankful exceptions. This space is exactly what I imagine when I think of the etceterini workshops. Seeing a few gorgeous Stanguellinis in various stages of completion only makes the point that much more clear: This was no production line factory. This was hot-rodding.

The Stanguellini Workshop

The rough-hewn post and beam construction of the Stanguellini workshop is in many ways a perfect metaphor for this era of Italian sportscar manufacture. Its cleanliness and bare walls suggest practical engineering and luxurious, uncluttered design. The mottled walls and old stumps to panelbeat against remind us that it was no more sophisticated than a repurposed barn. I think one of the things that draws me to the barchettas of this period was that they so exemplify this perfect marriage of the engineer and the artisan in ways that larger manufacturers struggled to hang on to. They’ve got soul.

Thanks, Wheels of Italy.

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Historic Racing Photos Porsche

Porsche 904s at the Targa Florio

1964 Pucci-Davis 904
1964 Pucci – Davis Porsche 904 GTS

Was there ever a better marriage than the Porsche 904 Carrera GTS and the Circuito Piccolo delle Madonie?

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Classic Sportscar For Sale

Available in Belgium: 1952 Stanguellini 750S Barchetta

This lovely little etceterini is very much more than she seems. This ex-Anna Maria Peduzzi Stanguellini has as good a pedigree as anyone could ask for. This car, chassis CS04075, was delivered to Ms. Peduzzi, perhaps Italy’s best-known female racing driver, who piloted the barchetta through just about every Italian race of any significance: the ’52 12 Hours Pescara, the ’53 Mille Miglia, the ’53 Targa Florio, plus a victory in the 1952 Eifelrennen Nürburgring just to break her in on delivery. The car’s subsequent owner, Paulo Martoglio, took the car on the quick trip from Brescia to Rome and back again for the ’56 Mille. This car’s history would virtually guarantee entry into even the most selective vintage events.

Today, Marcel Roks Consultants offers the car in Belgium. The car has received a ground up restoration and boasts its original 750cc Twin Cam. Sadly, I’ve never had the experience of hearing the little Stanguellini’s take on a hotted-up Fiat engine, but if it’s anything like my imaginings, it’s certainly an experience worth having. The car looks marvelous, and doesn’t look over-restored or like too much of a garage queen.

I would, however, like to take this opportunity to wonder aloud about the photographer for these shots. At what point do you decide this marvelous little car doesn’t deserve to have the plastic furniture moved out of shot? “Nah, just leave that towel draped over that $5 lawn chair. That’ll be fine”. Bah.