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Grand Prix Historic Racing Photos

A Thought Experiment on Racing Safety

Henri Louveau’s Talbot-Lago T26 after crashing in the 1951 Swiss GP

I know that increasing safety at racing events was a long, hard road and a heroic fight by Jackie Stewart and others who were just plain sick of seeing all of their friends die. I also know that the transition from haybales and snow fencing to endless runoff areas and HANS was not as knee-jerk as it seems in hindsight.

I sometimes wonder, though, if we could go back and introduce later safety technologies earlier, if we might have avoided sanitizing the sport so much. If we could have given Graham Hill a HANS device, might we have avoided cutting all the hedges out of the run up to Nürburgring’s Antoniusbrücke? If we could give Ascari a modern puncture-resistant fuel cell, could we have avoided endless run-off areas that place spectators so far from the track?

Don’t get me wrong, this photo of Henri Louveau’s Talbot-Lago after overrunning a corner on the 30th lap of the 1951 Swiss Grand Prix doesn’t look pretty. It must have been terrifying… But it also shows that when fire wasn’t a factor, grand prix cars of the era weren’t so very fragile. If Henri also had a HANS, and a decent roll cage, and some crumple areas, maybe the sport would still be a more visceral experience today.

I know that there a lot of very differing opinions on the topic of racing safety. I know that even with the sport being as safe as it is that drivers and spectators still get killed in the modern era. I’m curious what your thoughts are on this. Have we taken too much excitement out of the sport in the name of safety? Have we not yet made the sport safe enough? Is there anything that can even be done about it?

Categories
Classic Sportscar Grand Prix

Art Appreciation: Talbot-Lago T150C SS Roadster

Figoni Falaschi Talbot-Lago T150C SS Roadster

In 1908 a 14 year old boy arrived for his first morning of his apprenticeship with a Parisian wagon builder. It’s an almost impossible career trajectory in my mind from that first day sweeping up and sharpening files to crafting the luxurious lines of this staggering French Racing Blue beauty. Then again, Giuseppe Figoni may simply have had beautiful machinery in his blood as a crucial part of his DNA that followed him from his native Piacenza, Italian hometown to Paris.

We tend to think of the notion of a “celebrity designer” as a fairly recent phenomenon but Figoni was not unfamiliar with being the center of a rippling design movement. The eliptical teardrop fender and body arced enveloppantes on a Delahaye 135 he presented at the Paris Auto Salon of 1936 caused a minor design explosion. His bodies borrowed from the burgeoning aerodynamic sciences in the airplane industry and gave his machines a slippery silhouette that suggested high speed even when standing still.

If we turn our attention to his Talbot-Lago T150C SS, you can’t help but wonder if it was this particular car of Figoni’s or an amalgamation of the era that helped inform much of the design aesthetic that we so associate with American hot-rodders. The crossover appeal of the 1930s GP cars and voiturettes should be obvious for fans of 1930s Fords—fenders removed or otherwise.

Look at the details of this Figoni’s creation and you’ll recognize many of the design hallmarks of the American hot rod. The close-set headlamps that might well have inspired Clarence ‘Chili’ Catallo to modify his ’32 Ford that famously adorned the Beach Boy’s Little Deuce Coupe album cover. Those motorcycle fenders were fairly common on prewar racing cars and voiturettes but were also popular with American hot rodders trying to skirt fender laws designed to squash hot rods.

Figoni Falaschi Talbot-Lago T150C SS Roadster

And can I get an “amen” on those blue headlamp covers?

There’s no question that cars are cheaper to produce in bulk but part of me yearns for the option to deliver a freshly-built frame and drivetrain to a coachbuilder and craft a truly unique machine. In many ways, these kinds of one-off builds are at an all time high today, and command the attention of not only well-heeled buyers, but television audiences who admire their work. Sadly, I haven’t seen anyone take this common business model for custom motorcycles and extend it to (truly) custom cars.
More on the Figoni & Falaschi Talbot Lago T150C SS Roadster #90115 at coachbuild.com.

Categories
For Sale Grand Prix

Monterey Auction Preview: 1949 Talbot Lago T26 Monoposto

Can we already be closing in on Monterey Week? I’ve barely had time to brace myself for the enormous influx of vintage racing giddiness that it brings each year. As a result, I’ll ease into the season by showcasing this repeat visitor to the Monterey auctions—this gorgeous 1949 Talbot-Lago T26 Racing Monoposto.

Gooding & Co counts this magnificent 1950 Paris Grand Prix winner among it’s featured cars for their Pebble Beach Auctions to be held on August 14 and 15. What a true beauty. This transitional immediate post-war period between the pre-war racers and the Grand Prix greats of the mid 50s is such an interesting time period for racing cars. They had much of the same visual aesthetic as the pre-war cars with their elegant boat tails and proportions that hide the enormous scale of the cars. The technology leaps of WWII were just starting to make the transition to civilian use. These immediate post-war cars present a fascinating period of technological transition. The beauty of the pre-war, mixed with the utility of the post-war.

This example, chassis #110006, wears her French blue paint with pride, having carried Frenchman Georges Grignard around 50 laps of the Autodrome de Linas-Montlhéry in 2 hours 05 minutes 38.8seconds to capture victory; 4 laps ahead of Louis Gérard’s Delage. The race must have been grueling indeed, only Grignard, Gérard, and fellow Delage driver Marc Versini finished the race at all. The other 8 racers all dropped out with mechanical problems (including Stirling Moss at the wheel of the #17 HWM-Alta which dropped out with a connecting rod failure). It’s no surprise that #110006 wears the livery today, with Grignard’s racing number 8 and driver identification hand-painted ahead of the cockpit. Grignard even played a part in the restoration of the car many years later when he provided the spare parts he’d kept from his campaigns with the car. I love the notion of Grignard caring for the car so many years after they’d parted.

Even without the marvelous history, this Talbot-Lago would be no less attractive. The aggressive stance that would surely strike a chord with any American hot-rodder; the bodywork and brightwork that any warbird pilot would feel comfortable in; that exaggerated steering wheel that would feel small in a bus driver’s hands – they unite in a singular display of shear racing beauty and menace. I find myself looking again and again at the simple hand-painted graphics on the car (if you can even call them graphics), just their simplicity and touch of personality communicate such romance and history. It’s simply perfect. If you were to meet Gooding’s estimated bid of $650,000-$850,000 and take this Talbot-Lago home, I’m sure you’d provide a warm and inviting home for her for many years.

Unless, of course, you were the buyer of #110006 at Bonham’s Exceptional Motorcars and Automobilia at the Quail Lodge last year. The car was just as stunning as she is today, and was expected to bring an even more handsome sum, with an estimate of $1-1.3Million. Selling without reserve, though, has its risks and I’m sure there was a very disappointed owner with more than a few shed tears when the car sold for a mere $557,000.

So it’s a year later and that very lucky buyer is looking to see if their good fortune has lasted another 12 months, with an estimated $100,000-$300,000 turn on last year’s investment—not a bad return just for keeping a car in good kit for a year. I hope that this Talbot’s next caretaker doesn’t think of her as a mere investment, and that #110006 finds herself back on the track, not locked in a vault waiting for the next sale.